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Labels: Africa, Bou Regreg, Embassies and Consulates, Government, Morocco, Rabat, United States, Zotob
Image via Wikipedia The court of appeals of Agadir on Thursday ordered the provisional release of Moroccan blogger Mohamed Erajji, the official Maghreb Arabe Presse agency (MAP) reports.
Erraji had been sentenced to two years in prison on Monday for "lacking the respect due to the King" and the Royal family. He had been arrested last Friday after posting an article on the popular e-journal Hespress, in which he claimed that the King's charitable habits were "encouraging a culture of dependency" and the Moroccan people to be "lazy."
According to one of Erraji's relatives who was present at the trial in Agadir, Erraji was denied access to a defense lawyer and was convicted after a ten-minute trial.
The court of appeals ruled on Thursday that the lower court had failed to respect certain legal procedures under the Press and Publication Law. The public prosecutor's office did not object to Erajji's release.
Mohamed Erajji was the first blogger in Morocco to be given a prison sentence.
From MENASSAT:
| Two years for criticizing the King | |
| Posted on 10/09/2008 - 15:04 | |
| Moroccan blogger Mohamed Erraji has been sentenced to two years in prison for posting an article in which he criticized the policies of the King. | |
Labels: Agadir, Facebook, Mohamed Erraji, Morocco, Prosecutor, Royal family, Sentence, United States
Hassan Hakmoun brings Moroccan music to Bangor
BDN Staff
If any evil forces were lurking Friday night along the Bangor waterfront, Hassan Hakmoun drove them away and called down healing spirits that blanketed the American Folk Festival crowd at the Railroad Stage.
“Feel the spirit,” he told the crowd, “and pray for the world to become one.”
Hakmoun was born in 1963 in Marrakech into a musical family whose roots are Gnawa, or, the people from southern Morocco. At 7, he began playing the santir, a three-stringed, long necked lute that he calls “the granddaddy of all bases,” for traditional Gnawa healing ceremonies. After studying his craft and playing throughout northern Africa and Europe, Hakmoun moved to New York City in 1987. He still is based there and has won awards for blending traditional Moroccan music with funk.
Three men joined him on stage – one played a traditional American drum set, another played the qaraqeb, a set of metal double castanets, and third played a set of drums called tbel that resembled bongos but produced a much richer sound. Hakmourn danced as he played while the qaraqeb player twirled around like a whirling dervish, the tassel on his red satin hat arcing in a circle around his head.
Hakmoun and his group resembled a jazz ensemble. They seemed to be improvising rather than playing songs passed down from one generation to another or written down somewhere.
If the Acadian music is the soul of this year’s folk festival, then Hakmoun’s Moroccan tunes are its pulsating heart pumping blood through every vein, igniting flashes of ecstasy, filling festival goers with a passion they never suspected they were missing. It also healed whatever had been ailing them all week.
Hassan Hakmoun will perform at 3 p.m. Saturday at the Railroad Stage and at 4:45 p.m. Saturday at the Dance Stage.
"Hassan Hakmoun brings Moroccan music to Bangor - Bangor Daily News." 5 Sep. 2008
Ann Herbert is living on the eastern coast of Africa, volunteering in Morocco with the Peace Corps.
The Peace Corps, an independent federal agency of the United States, works in more than 70 countries around the world. The volunteers work with governments, schools, nonprofit organizations, nongovernment organizations and entrepreneurs in the areas of education, health, business, informration technology, agriculture and the environment to help those people meet the need for trained workers and gain a better understanding of Americans.
Herbert graduated from Mitchell High School in 2002 and Butler University in 2006 with a major in religious studies and minors in Spanish and business. She is the daughter of Christy and Hank Wintczak of Mitchell and Rod and Bridgett Herbert of Fort Wayne.
The past 16 months have been filled with new experiences for Ann, but also for her family.
The following is an account of some of them from the perspective of her mother, Christy Wintczak of Mitchell, and includes a description of her biggest project so far. The project has been planned for and with women in the community.
“For the past 16 months, our family has had the experience of having our second-oldest daughter, Ann, living and working in Morocco as a Peace Corps volunteer. I, myself, couldn’t imagine what was driving her to live in such a far away, foreign place, but this is what she wanted so we supported that decision not knowing what was in store for her or us.
“The first thing that became apparent to us was the dress code that was required of her in order of be respected and acceptable in Morocco’s Islamic society. She called home telling us about the women covered from head to toe and was worried the clothes she had taken weren’t conservative enough. I rushed her a package of lightweight, yet very conservative, shirts that would be bearable in the scorching hot summers. The shirts were cut so that the bottom went to mid thigh, the top went up to her neck and the sleeves went at least to her forearm.
“The relationship between men and women and their roles in society is very different from what we are used to. Ann’s work for the most part has been with girls and women, partly because as a woman, men are less accessible to her, but mostly because her work as a health volunteer is best accomplished when women are reached. Women are the ones taking care of the household and are therefore in charge of their family’s overall cleanliness and diet, both of which are crucial in preventing the utmost culprit of infant deaths in Morocco — diarrhea.
“Diet has been one of the most difficult things for Ann while abroad. In the states, she was spoiled with all the products we have available to us. She enjoyed living a healthy lifestyle by eating lots of whole grains, vegetables and fruits. All of these are available in Morocco, the difference being only convenience. Because she is an avid cereal addict, I have sent many boxes of pumpkin flax seed crunch or some other fiber rich cereal which gives her a break from cooking and a refreshing reminder of home. While there, she has learned to cook because things aren’t available in the ready-made form that we are used to. She has learned how to make her own goat cheese, peanut butter, bread, hummus, soy milk, tortillas and other things we just go to the store and buy. Besides ‘American food,’ she is also learning Moroccan cuisine, which consists mostly tagines and couscous. Tagine is a mix of meat and vegetables cooked in a special clay volcano shaped cooking contraption. t meal time, the tagine is set in the middle of the table where all can reach it. The volcano shaped top is removed and everyone tears off a piece of the bread sitting in front of them and uses it to scoop up some of the well cooked food inside. I hope that she will cook it for us when she comes home. Although all of this cooking can be an inconvenience, I get the idea she thoroughly enjoys this aspect of her life there.
“In working with these women she has developed many close relationships, especially with her host family. Ann suggested I send presents for her to share with those people close to her. Simple things like shampoo, lotion, toothbrushes, chocolates, Betty Crocker cakes with a container of icing are special and exotic to those she lives with. In an attempt to share her culture and nurture the most meaningful relationships to her she hosted a Thanksgiving dinner at her house (one of the days when the electricity and water were suddenly turned off in the entire village ) gave her host sisters Christmas presents, and celebrated their birthdays — none of which they had ever done before. I’ve also sent simple work supplies such as tape, transparent laminating paper, pens and pencils because these everyday work essentials are mostly out of reach for people in her town. She has used these to hold health classes for girls and women at their local health clinic and schools as well as holding trainings on association development and grant-writing for the local women’s association.
“From my understanding, she has multiple projects going. The first is a Tashlhate video project. She has worked with another nearby volunteer to develop a series of educational health videos in the local language, Tashlhate, that will be used by Morocco’s ministry of health as well as future Peace Corps volunteers. Although she is proud of the final videos, she mostly boasts about the process in which they were made. She held class for girls and women in the community on various topics such as tooth-brushing, diarrhea, purifying water, etc. After the class, they filmed educational skits featuring Moroccan girls that pertained to that day’s topic. Then the health clinic staff added a professional, detailed run-down of each topic. Some of the pictures were drawn by another volunteer who had studied art and then they put all those components together to produce the video. They now have 12 videos.
“... Currently her time is occupied working with her local women’s association to develop their baking project. Last year, with her help, they held their first Ramadan Bake Sale. Ramadan is a time of year in the Muslim calendar when all Muslims fast from sun up to sundown for an entire month. When breaking the fast as sundown, Moroccans eat various traditional delicacies. The women’s association saw this as an income-generating opportunity and therefore made and sold the customary baked goods. Last year’s project was a success, especially considering all equipment was thrown together by women temporarily donating their various cooking supplies. The money that they made went toward paying for sewing classes, Arabic classes for the illiterate women and to help start up their community-wide trash disposal program. Because of this project, women are taking a leading role in their personal and communal development. However, the project needs improvements. They don’t have good, or enough equipment to sustain the project and therefore have worked with Ann for months on planning a bigger, better version for this year and years to come.
“Although I miss Ann, I have come to see why she has chosen to pursue this adventure. She is getting to do, learn and see things she never would have otherwise. She has developed close relationships and adapted to a different way of living. I sometimes still find her experience hard to relate to seeing that it is so different from anything I have experienced. Ann’s family supports her in any way we can: through sending letters, pictures, packages, calling and donating to the causes she is working hard for. By doing this, I have learned a little about Morocco, about Islam, about my daughter and even a little about myself and the country in which I live. I know most of all, that we have so much to be thankful for.”
Times-Mail Staff Writer Krystal Slaten welcomes comments and suggestions at 277-7264 or by e-mail at krystal@tmnews.com.
August 12, 2008
from
http://www.tmnews.com/stories/2008/08/12/people.nw-560249.tms
Jonathan Curiel, Chronicle Staff Writer
Saturday, June 28, 2008
Lounes Matoub, the beloved Berber singer, was known for d... Berber musician Moh Alileche, who lives in Berkeley, knew...
A little more than 10 years ago, Merzouk Allache was in his Berkeley apartment talking on the telephone with a friend, Lounes Matoub. Allache was worried for Matoub. Both men were singers who vocalized about their native Algeria, but Matoub was known as the most outspoken singer of his generation - someone whose rhetorical lyrics prompted death threats, a shooting that put him in the hospital and a kidnapping that spirited Matoub away for two weeks until he was finally released.
"He said, 'I love you like a brother; anything I can do for you, please let me know,' " Allache remembers Matoub saying from Algeria. "I told him, 'Yes, do me this: Watch out. Take care of yourself. That's the biggest favor you can do.' He was a fatalist. He said, 'If I have to die, I die.' "
A few months after their conversation, Matoub was dead at 42. A gunman (or gunmen) shot the car he was driving with almost 100 bullets. For the funeral service in his native village, which thousands of people attended, Matoub's body was draped in the Algerian flag. On Sunday in Berkeley, Allache will perform at a commemoration of the 10-year anniversary of the singer's death. Matoub's life and death are impossible to discuss without addressing the subject of Berbers, the native people of Algeria, of whom Matoub was one.
For decades, the Berbers have struggled to have their rights - and their language - recognized by Algeria's government. Though Berbers in Algeria (and across North Africa) have long adopted Islam as a religion, they are not Arabs, and have resisted any attempts to marginalize their culture. In Algeria, Matoub was openly critical of the government's treatment of Berbers, and openly trumpeted the country's Berber history. One of Matoub's first popular songs, "The Lion," profiled Berber revolutionary Ramdane Abane, an Algerian independence leader in the anti-colonial movement against France, who was assassinated in 1957. Matoub songs accused the Algerian government of mistreating and killing Berbers.
Allache and other friends of Matoub believe the government had him murdered for his outspokenness. Others believe that radical Islamists - like those who kidnapped Matoub in 1994 - carried out his killing, which has never been solved. In the Berber region of Algeria (which is the southernmost, mountainous part of the country), Matoub is a martyr - a Martin Luther King-like figure whose image is everywhere. "There is not a single cafe, restaurant or business," says Allache, "that doesn't have a poster of Lounes Matoub."
Matoub's music is also played everywhere in southern Algeria - and throughout France, where millions of French Algerians live. In the United States, Matoub's music is a staple of many world music afficionados, who gravitate to songs that veer from free-form folksy to studio-produced pop. Matoub, who made 36 albums, played the mondol, an instrument similar to the mandolin. He sang almost exclusively in Tamazight, the Berber language. YouTube features scores of Matoub videos and tributes, which show the singer in his various states of performance, including stadium shows. Part of Matoub's appeal was his infectious playing style - on stage, he was constantly smiling, joking, cajoling, storytelling, anything that moved him. He was like Bruce Springsteen, Bob Dylan and Arlo Guthrie rolled into a politicized Berber musician, and like those three American performers, Matoub was a poetic songwriter. In one song, Matoub described the mountains near his childhood village as "my soul; the mountains saw me grow up - they are the mountains that protected me."
Whether he performed at stadiums or smaller venues, Matoub never took a fee, says Allache, who knew the singer for almost 30 years. Instead, the money went to causes he supported. Matoub, who grew up in poverty, made his living from sales of his albums - which made him wealthy. During Matoub's 1993 visit to the Bay Area, he went to San Francisco's North Beach neighborhood and, on the spur of the moment, bought a $1,500 leather jacket.
"You know how artists are," says Allache, who plays the guitar. "They like to dress up."
Two months ago, Allache visited Matoub's grave, which is located by his old village home in Taourit-Moussa. One of Matoub's songs was titled, "Today I Exist, Tomorrow I'm Not Sure." Allache, 47, talks about Matoub as if he's still alive, using the present tense to say that Matoub "thinks of himself as Algerian first, then Berber."
(Though Berbers use the word "Berber" to describe themselves, the word is related to "barbarians," and Berbers often prefer other descriptions, such as "Imazighen" or "Amazigh.")
Events like Sunday's in Berkeley keep the memory of Matoub alive for others who may not have known the singer the way Allache did. In the past week, Matoub events have been held around the world, including Paris, where the mayor wants to dedicate a street to the singer.
"He wanted to spread the truth," says Moh Alileche, who, like Allache, is a Bay Area Berber musician who knew Matoub for years. "That's the reason people like him so much."
A commemoration of Algerian singer Lounes Matoub, who was killed 10 years ago, will be held from 6:30-10 p.m. Sunday at the Hillside Club, 2286 Cedar St. (at Spruce), Berkeley. The event, which features music, video tributes and more, is free. For more information, e-mail amazigh_group@yahoo.com.
To hear music by Matoub, go to links.sfgate.com/ZDYG.
E-mail Jonathan Curiel at jcuriel@sfchronicle.com.
http://sfgate.com/cgi-bin/article.cgi?f=/c/a/2008/06/28/DD5611FM0N.DTL
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